dualshock present their first 12- ep, jungle on resopal. -jungle- features three fresh berlin house sounds and one digital bonus. -wild jungle- kicks off the vinyl and initially drops the energy before exploding with mediterranean life and dubby melodies included for good measure. -marshmellow- then pushes us back into the club as a techy rhythm and repeated vocal hook draw us to the floor while -trust- twist offers itself in the form of a synth loop that lends an exotic edge. spicy and addictive.

flash atkins hits hard with the second 12 inch,, to be taken from his critically acclaimed * the life and times* album on paper recordings. this time he pulls in three of the world’s best producers of underground future disco and all of them step up the plate to score a bullseye with their first throw.

the sleepy seaside town of sligo, based on ireland s atlantic coast, seems an unlikely location to base a deep house label. more remarkably, this debut 12- from sligo-based splendor & squalor comes from two residents of the town: longtime dj buddies and hip-hop/deep house fusionists brame and hamo. it s a strong first outing, with each of the three original cuts coming doused in smooth soul and hip-hop influences. that s means beats that swing, sensual strings, chunky bass and the kind of pads that seem to wrap themselves around your body. the duo s collaborative clockwork arguably the pick of the bunch - is also remixed by session victim (think ultra-deep goodness), while hamo s sample-heavy soul offers the perfect balance between smiling deep house and classic hip-ho

privacy returns to lobster theremin with three slabs of slimy, modular, machine-driven electro. human resource exploitation manual is an aural guide in the optimum exploitation of human substance and material.

figures creator len faki steps in to the spotlight once again with his brand new >street dub< ep. constantly striving for excellence in sound design and deadly arrangements, fakis wonderfully precise and well honed strand of club techno continues to shine on figures 70th release - a classic example of lens tireless approach to production. packaged together in three different versions, >street dub< stylishly treads the borders between classic dub techno and modern club weaponry. with just a handful of perfectly balanced elements, perching atop a weighty kick and rolling sub bass, both >street dub< and >street dub version< are sure to satisfy purist techno fans and newcomers to the genre alike. as a bonus, an >ambience< mix is included, stripping away all the percussion and letting the beautiful subtleties of fakis production bubble to the surface.

hedonism is an ethical theory that pleasure, in a sense of satisfaction of desires, is the highest good and proper aim of human life, and this seems to also be hdnsm’s ultimate musical objective. their first release debuted as a kickstarter of “variant ep” v.a. series, showcasing three very different yet highly contemplative creations from cumsecade, anestie gomez and man spider. hdnsm flips the coin and for the second episode of “variant” series it lands on two very solid, incredibly moody and extensive works from fresh talents shcaa and cleymoore. the ep features two very different tracks yet they share the same minimalistic core. both works are blessed with intricate micro-drum arrangements for those feeling groove hungry whilst still standing tall in the experimental abstract realm pleasing those who crave unusual frequencies. a-side’s “masquée” is one of shcaa’s typical rides between sound and silence and it is hard to find another artist who understands sound gaps between grooves better than shcaa does. with his signature vocals and an incredibly delicious duality between acoustic instrumentalism and electronic slamming, this is a groovy, highly deep, very intelligently arranged piece. the flip-side “nebula”, signed by pluie/noir’s boss cleymoore, is a tip of an iceberg when it comes to the art of stripping down. in an apparently thin canvas of minimal drum arrangements there’s a vast amount of sound frequencies underneath a steady ever-kicking groove, tricking your mind into thinking that you’re hearing less than you actually perceive. nebula is hypnotic and dense but focused and sophisticatedly groovy. like the repetitive vocals you’ll hear throughout the b-side, this v.a. sticks to your mind like an addiction of some sort and pushes hdnsm to a new standard of avant-garde and forward-thinking attitude. as before, this vinyl only release comes in a gorgeous cover featuring a painting from max binski and the number of copies available is limited

repress 2015 !!the first release on this new label comes from chicago with specter. specter is andres ordo±ez, the owner of tetrode music, a cult label from chicago, that with only three releases has become a reference point for many people nowadays. four hipnotic deep house tracks with influence of mr fingers. atmospheric and erotic midtempo house that represents perfectly the sound of downbeat

invisible inc s third release departs in yet another direction as they dig through the archives of 80s new wave/psych funksters the poncho brothers. apparently these three previously unreleased killer beats were recorded between 1987 and 1990 and then forgotten about, only for a cassette to find its way into label boss gk machine s hands during some drunken tequila-fueled nights on holiday in mexico in 2012. fully remastered from the original tapes these no wave, disco funk dubs are firmly rocketed into the 21st century with ny s zoovox duo s stripped down stellar remix of amantes latinos. getting plays from daniele cosmic baldelli, jan schulte, dj kaos, kirsty p. + more.

we here at wph are not ones to celebrate each and every significant number in our history. we do not even consider numbers to be that significant. but what we do believe is that every story has its ending and that every ending should come with a bang. and so we have decided that the regular wph series and the coloured vinyl-only series will come to an end together with one last release. we breing you a collection of three of our most wanted tracks with a little bonus thrown in ... we suggest you go really oldskool and buy double copies of this one, because you will want to play these back to back!

first reference written and produced by alex guerra,is making his debut here on ums recordings this ep accomplishes dark deep style, effective, groove, mainfloor and diverse dj tool techno. three relentless tracks play any of these tracks at any time in any venue and you will win over the crowd (a 100% guaranteed fool-proof dj)

new stuff from the stylerocket boys: pmz soundz behind this names there is max, a french boy, successful in france and germany and who had already released on named international labels. his track in one of three on the newset stylerockets release. stylerockets is part of the kiddazfm musicgroup, based in berlin.„„may the wind always be at your back and the sun upon your face. and may the wings of destiny carry you aloft to dance with the stars - this quote of the blow movie describes dompes track. so - let´s blow some glitter into the colourless ...

dr jayne insane, cutting through the thick mud with a dirty spoon. with three wonderful tunes on each side, this lp kills fascists… well, kills everything in near/in your ear. the noise grows on you. dr jayne insane, aka jan liljovic, aka jan liljekvist is back with another beautiful journey through his distorted mind… comes with a 12x12 inch poster by sten backman, who also made the art and design of the lp.

amir alexander was one of plan b recordings’ first recruits. from his first submission, we knew his sound was perfect for plan b recordings. “sonic subversion” was released as a digital ep in 2010 and now receives a proper vinyl release. we feel these tracks sound even better now. their content is as timeless as ever. they have been slightly tweaked and re-touched by amir for this release, making them perhaps even more sonically powerful than the originals. three tracks of bubbly, banging goodness from one of our earliest comrades.

after landing his malfunctioning px-4000 on the purple planet, captain dmx steps out of the smoldering cockpit. after barely setting foot on the dusty landscape, the captain is startled by deep thudding from over the hills. dragging his oxygen pack with one hand and his atomizer with the other, he sets off in search of the other-wordly din. over the hill his pupils adjust to the stroboscopic lightning and below him lies a sea of strange creatures moving together as one body. a cosmic sermon takes place under the three suns in the sky, mechanical and stuttered frequencies set a manic pace and drive the dark creatures back and forth. captain dmx sighs a heavy breath and starts to descend into the fray.

as the year progresses, apollonia keeps up its steady release schedule with a delightful new ep from swiss alchemist, alci. the young producer has already made an impact with some tre cool releases with labels like robsoul, owned by paris rudeboy, phil weeks. now we have this sublime three-tracker landing on apollonia and its serious…the ep gets moving with a track called * garden of buddha* which is a perfect example of alcis ability to cook up strange sounds while keeping it groovy and dance floor-friendly. * all bun* follows with more of the same, original flavours, minimal composition, with deep, catchy rhythms and vocal clips. * traveling soul* closes things up neatly, giving us an enchanting collection of effects with a pulsating bassline that will have you gripped from the moment it appears. another step forward for alci and another diamond release from the apollonia team

following a string of well-received outings for the project on his own black catalogue label, monty luke debuts his mandingo alias on matt edwards rekids with the parallel universe ep. firmly establishing himself as a brightly talented producer, dj and a&r over the past eight years with releases on planet e and mothership in addition to his own detroit-based imprint, the san franciscan s three tracks offer alternate perspectives on his richly honed sound, drawing on influences from his homes old and new as well as further afield, such as the hybrid electronic sounds of london and bristol.

aboutface is firstly a composer/live performer and secondly a dj, hailing from east london he steps up for the next release on amirali’s newly founded imprint dark matters. drawing upon both the sociological and environmental landscape as creative inspiration, aboutface uses his background in fine art and painting to help inform his productions. all the last three years music has been inspired by a thousand mile plus journey through eastern europe and around the coastal regions of the uk, each song using the environmental recordings of a different region or city as the creative starting point.

looking back at the influences from his recent full circle project, alexis le-fan (best know by some as le-tan), winds the clock back even further to his roots of trance. call it proto-goa if you like, these three tracks show a panel of sounds that could ve received airplay in the early 80s on the beaches of anjuna or vagator. standing on the edge is shoegaze gone tribal disco, up and down is new-wave with an ethno-indo twist, whilst love to hate is new-beat led by hypno synths a warped sax and freaky vocals which will ease you in the wee hours of the morning sun

first, let me pay homage to institubes and the codeine generation who discovered red bull in 2003. para one, teki and tacteel were on the front line just like us making the french scene stronger and even more exciting after the first french touch wave. in 2004 for the fourth release on ed banger we were looking for french artists who were killing it, pushing boudaries, those we wish we had signed. three names: para one, feadz jackson. both feadz and para one accepted to remix krazy baldhead’s first ep, this record is very special to me, we pressed 2000 copies.

good ratio music looks deep into the brume and strikes gold with the first ep from carlo on the imprint. forget me not is a record that plays directly into one of the strengths of the artist: melting a coherent whole from ephemeral parts. carlo keeps it rather fiercely on the house grooves, creating a far out sound with his fluent pulse and motif-based melodic improvisations. a unique sound that makes this three tracker remain to him at any spot. on the flip side kresy delivers a solid remix of the main track, forget me not. where he tames the wild things and crowns himself as their king.

the lakker *tundra* album is one of 2015s finest electronic albums and has garnered praise from all quarters. this 12 inch sampler features the mark fell and kyoka remixes cut loud on a side of vinyl each.

onnsets third release is delivered by uk based french artist damien schneider. seti ep consists of three original tracks plus a remix of the title track by ansome.

long standing soul man willie (or hill as he usually operates on ppu) returns with three more timeless soul joints.

two paris legends reunite for the latest outing on the always fresh adult only label. owner chris carrier links up with his old pal dan ghenacia for this three-track ep, which includes a remix from german talent, diego krause. chris and dan last got together for adult only back in 2007, with their ‘tumble blur’ ep and they recently hit the studio together again to roll out two super dope slices of heads-down dance floor funk. as you might expect from two highly experienced veterans, the tracks on offer are both crisp, epitomising that classic house flow with a sprinkling of contemporary flavour. the 2nd degree bounces, whirrs and chirps all over the place while the 4x4 beat keeps the energy levels high. just a sin is a more serious cut, with a solemn presence and stuttered beats together with a hushed vocals giving it a mysterious feel. unison wax bossman diego krause powers up just a sin with his remix, putting a firm emphasis on the bassline, which is strong, murky and unrelenting. a deep, dark slice of groovy house for the after-hours crew

soundtrack, limitierte erstveröffentlichung des soundtracks zur britischen horrorkomödie shaun of the dead aus 2004, einer parodie von regisseur edgar wright zum horrorfilmklassiker dawn of the dead (1978). mit ausführlichen linernotes des regisseurs und der beiden komponisten. auf rötlich-klarem 180g vinyl.

leibniz and credit 00 team up for more basement toolz on rat5. three home made bangers to rock every party like its octoberfest all over again. buy two copies!

entitas is the second instalment of jay clarkes blackaxon imprint, and sees the label boss bring out the big guns in the form of three distinct and diverse cuts.

the first trackman ep went out on ideal trax in 1995, a six track, two vinyl ep spanning trippy, classic acid cuts, detroit and chicago influences, sheffield bleep and manchester hacienda rave era overtones. trackman has now been lovingly remastered and re-issued on infrastructure, with a bonus track paradise included, which featured later on the 1996 dont stop ep also a classic in it s own right.

my new murex will be tint s opening statement, a three-track 12- for true panther that incorporates morris s wide embrace of counterpointing musical traditions and disparate compositional techniques.

person of interest, highly sought after and could be lurking in the shady corners under brooklyns jmz line. on his l.i.e.s. debut we get soupy remanants of what could be called garage house, pieces of high octane techno, and one slow burning grisled tooth number to close this three track ep out. a strong showing and undoubtedly one to keep your eyes on.

the vinyl factory is proud to present an 18-track vinyl edition of µ20, spread across three 12inch records. for a label thats existed in an orbit of its own, on very independent terms, its remarkable that planet mu has survived 20 years. pushing buttons from idm and breakcore to dubstep and grime, and lately footwork, mike paradinas’ (µ-zip) label has a strong history of joining the dots betweens genres by supporting idiosyncratic artists from label stalwart venetian snares to kuedo, machinedrum, boxcutter, vexd, falty dl, luke vibert, ital, jlin and mr. mitch to name just a few. µ20 is a living document of that history. a colourful and adventurous ride across the roster, the compilation features contributions from the current decade as well as some of the old guard, dipping back to the late nineties and early 2000s for a range of noisier, knottier track

the return of the highly influential and classic tracks by thomas p. heckmann s infamous drax project, that brought you such huge anthems like amphetamine, phosphene, section 2 and parnophelia, which are collected on this one 2-coloured vinyl 12inch for the first time ! the two predecessors to amphetamine were section 2 on the first ever techno 7inch in 1993, followed some time later by the carl cox beloved anthem phosphene on the night glowing 10- drax three. this finally led to one of the most influential and famous techno tracks named amphetamine, which is presented here in a completely different and unreleased version (for the original please check afultd.31).

this time we present you two young talents from offenbach am main with three modular infected quirky groovin house tracks. cedric dekowski and felix reifenberg already put out some fresh music on their own imprint - hardworksoftdrink. they are working together in their studio for a long time now and developed a very own signature sound which you dont hear often these days. get ready for some funked up house!

jel ford returns to drumcode after his highly anticipated remix of alan fitzpatrick s for an endless night. ford laces his three electrifying, new original tracks with a high energy that are guaranteed to get any dance floor rocking. heavily featuring on adam beyer s drumcode radio both red mist and overcast have gained heavy support from dj s and fans alike. ode to basement is an end of night smasher that will make everyone melt into the ground as it is caressed out of the sound system

altered moods recordings releases its next vinyl ep octaves of energy. this threetracker by crawley, uk-based artist mick welch is a smooth, sultry adventure into the core ethos of amr music. mick is no stranger to the deep house sound. starting in 2002, he has built a strong following of fans in the uk, first with his elektrosouls mix site and shortly after that with his label of the same name. the -octaves of energy- release represents his latest foray into the deepness. -conscious field- kicks things off with a tambourine- and high-hat infused beat with rich, dark leads burbling up throughout, interrupted now and then by a wistful bridge with an echoing voice telling you not to be afraid. -mind force- is another laid back jam, with a bright, crisp cowbell intertwine with an accouterment of lush pads and silky leads. the final track on the flip side, octave 50, is the deepest cut of the three and also the easiest to work the dance floor with. with its sinewy, filtered pad and bubbly bass line combined with warm, warbling leads, it fits both in the studio and at the club.

here it is: 50weaponsxtr05, another heavy hitting 2 tracker by the three young guns hailing from spandau

belgian duo sons of tiki bringing the heat to the dancefloor with their new ep. featuring remixes by malin genie and dorian paic.

already known worldwide for his one of a kind techno productions and dj sets, oliver deutschmann is a name that wont fade anytime soon. since launching his label vidab records in 2007, he has seen a steady amount of releases on his own imprint as well as other establish labels such as aim and soma quality recordings. after teasing us this summer with keep rising oliver returns to mobilee this fall for a full length ep featuring his signature techno sound. taking us on a mental journey we are delivered three solid techno thumpers that will work wonders at the peak hours of any set. the ep will bring the crowd into a world of pure techno bliss with heavy kicks, hypnotizing pads, and a dash of acid to tie it altogether in a cohesive package.

after releasing the first two episodes isabel and helene, the landslide continues with -maysak-, the third installment of attic music hurricane series. here fabrizio lapiana returns with three melodic techno cuts, a mix of dark and calm vibes on the b-side, where a vibrant chord defines a melancholic atmosphere in -leading nowhere-. a corrosive bass line snakes the ground in the ambient-techno’s -water smoke-, a track that express the hypnotic and peaceful concept behind the series. a tangle of techno grooves, synth pattern and energy on the -lasnait- side

bepotel lands their most recent ep on their own label, and aptly title it * startup label 1* . a 12 inch comprised of three disorienting techno tracks, minimal in nature yet inviting in its elaboration.

following on from son.sine and sven weisemann on delsins deep and house leaning series of releases is artefakt with a new three track affair entitled the fifth planet ep.

after his standout debut ep on the label in 2012, nick sinna is now back on trusme s prime numbers label with three more searing techno tracks that come complete with a remix from vril. sinna is a manchester native with the citys rich musical heritage running through his veins. from d&b to hip hop and on to house and techno, he has a diverse array of influences but distills them all into his own rugged sound, often made using some authentic bits of hardware.

a new member entered the voitax imprint and crafted this massive three track ep with raw tripping tools and a stripped down ambient track that fits perfect into the labels identity and leads you to your ruins.

its been just over a year since we brought you the fantastic ‘inner activist’ ep from our brother chris. crazy right? the fact that all three tracks became mainstays for many over the past twelve months is testament, yet again, to the talent of mr. carrier. we never leave home without him. magic gallery sees chris displaying yet more his own musical sorcery. opening with the soulful tones of fantasy faces we’re soon thrust into the serious drum workout of stories. the choppy beats and sliced samples of warlock follow before the ep is closed, in the finest fashion, by the spellbinding title track itself. another strong and essential collection of house tools from chris carrier.

bass cultures latest release comes straight from the studio of the label head, d julz. a man who draws on dub influences, groove and deep soul-enriching rhythms, d julz is a member of the paris old school fraternity and brings that classic sound right into the 21st century with his houdini ep.across three tracks we have a selection of music that epitomises what he’ all about. the title track gets things rolling with a sultry groove pervading throughout, crunchy claps add depth while fizzing synth lines and throwback yelps give it plenty of character. second track * waiting 4 visa* is a classy breakbeat-led outing, delicate effects loom in the background entrancing the listener while the minimal composition keeps things simple and hypnotic. lastly * serendipity* takes us a few layers deeper, with a laid-back bounce and chirpy bleeps really bringing it to life. d julz shows us once again why he is one of the mainstays of the paris, a godfather who does everything with a touch of class.

your favorite foil faced machine heads, frak, on lux rec. big tip! nordic woods are a dangerously primitive place. fueled with madness and induced delirium frak land on planet lux. three slow, acid numbers with a barbaric, crude attitude. relentless drums. fierce, hypnotic synthesizers that get you lost in your own mind. suddenly sinister, disastrous images populate your consciousness. and then one last strange, twisted wave track. new places, new adventures

having established themselves as one of anjunadeeps leading acts over the past 12 months with three stunning eps and notorious bootlegs of depeche mode and radiohead, cubicolor return with their boldest and most diverse release to date with the down the wall ep

james ross is a guitarist and composer living in brooklyn, n.y. originally from pittsburgh, pa., he has studied guitar at the university of pittsburgh and the mannes college of music in new york city. he has studied sitar with pandit krishna bhatt, and north indian classical music and composition with la monte young and marian zazeela. a composer in a variety of genres, james has written music for orchestral and chamber ensembles, as well as solo music for the guitar and the zhongruan (a type of chinese lute). he has also performed and recorded electronic and improvised music. recent performances as a composer and performer on the electric guitar, laptop and other instruments include sets at the bell house, at the small beast at the delancey with percussionist joseph benzola, a performance with kyle bobby dunn at issue project room, at pianos with richard lainhart, at glasslands gallery with michael vincent waller, at goodbye blue monday with david beardsley, providing live music for katherine liberovskaya and ursula scherrer’s optosonic tea series at diapason gallery in brooklyn, with video artist alex carpenter at the tank in manhattan, and at damrosch park at lincoln center as part of the guitar ensemble for rhys chatham’s “a crimson grail.” a recording of the -crimson grail- performance was released on nonesuch records on sept. 14, 2010. as a classical guitarist, james has performed as a soloist and ensemble player throughout the northeastern united states. he received a solo recitalist fellowship in 1992 from the pennsylvania council on the arts and won the 1993 mannes college of music concerto competition, resulting in a performance of joaquin rodrigo’s “fantasia para gentilhombre,” at symphony space in new york city.

after baazs successful album red souvenirs, office recordings is coming up with three wild remixes by dorisburg, christopher rau and s.a.m.